M'HOTEP YOUR WEBSITE IS HYPE, I HAVE LEARNED SO MUCH ABOUT REGGAE AND
WHAT MOVES YOU.....KEEP ON DOIN' THAT THANG THAT YOU DO!
BIGBEE
Friday, January 11, 2008
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THIS IS THE PERSONAL WEBSITE FOR M'HOTEP ON AIR RADIO PERSONALITY FOR 96.3 FM "THE WALK" AND OWNER & OPERATOR OF KABARA PROMOTIONS.
About Me
- M'HOTEP
- Cape May Court House, Cape May County,NJ, United States
- Hello from Michael Bennett, Double Shot Wednesdays This particular program consisted of listeners calling in and making requests of their favorite artists ranging from Hip Hop, Reggae, R&B, and Classic Soul genres. Listeners can call in or log in to request two of their favorite songs or simply request to be surprised by any two songs from the particular artist. Hip to The Hop Thursdays Hip to the Hop Thursdays consisted of two elements. Hip being the fusion of old school music mixed with contemporary urban sounds of today. Hop being that good old house music that still embraces general crowds of party goers and drives them to get up and dance. The Exposure Spotlight Can you imagine yourself taking a mental photo of your own success? Your vision has a groundbreaking start in todays fast paced world of technological advances with help from Exposure Spotlight. These program features are brought to you by Kabara Promotions, in association with 96.3 fm The Walk. Artists will be allowed to have the chance to get their music heard on a public forum (96.3 fm The Walk) that has unlimited exposure capabilities. In the words of my ancestors: HoTep (peace) Michael "M' Ho Tep" Bennett
THIS IS THE PERSONAL WEBSITE FOR M'HOTEP ON AIR RADIO PERSONALITY FOR 96.3 FM "THE WALK" AND OWNER & OPERATOR OF KABARA PROMOTIONS.
TODAY'S FEATURED REGGAE ARTIST........SIZZLA
Biography
by Steve Huey
Emerging during the latter half of the '90s, the enormously prolific Sizzla was one of the leaders of the conscious dancehall movement. Along with Buju Banton and Capleton, he helped lead dancehall back to the musical and spiritual influence of roots reggae, favoring organic productions and heavily Rastafarian subject matter. A member of the militant Bobo Ashanti sect, he sometimes courted controversy with his strict adherence to their views, particularly his aggressive condemnations of homosexuals and white Western oppressors. Yet overall, his music was generally positive, advocating faith, compassion for poor black youth, and respect for women. He remained something of an enigma to the public at large, rarely granting interviews and keeping his concert appearances to a minimum. Nonetheless, he still ranked as arguably the most popular conscious reggae artist of his time, thanks to a normally high standard of quality control — all the more impressive given the frequency with which he recorded. A versatile singjay-style vocalist with a gruff, gravelly tone, he was capable of both rapid-fire chatting and powerful, melodic singing, and his best backing riddims were among the strongest in contemporary dancehall.Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby "Digital" Dixon's Digital B imprint. However, he didn't manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip "Fatis" Burrell. Sizzla released a series of singles on Burrell's Xterminator label, including "Judgement Morning," "Life's Road," "Blaspheme," "We Uh Fear," "I'm Not Sure," and the Shadowman duet "The Gun." His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla's early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.Creatively speaking, Sizzla really came into his own with the release of his second album, the Burrell-produced Praise Ye Jah, in 1997. Widely considered one of the top conscious dancehall albums of its time, Praise Ye Jah was quickly trumped by the release of the Dixon-produced Black Woman & Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including "Like Mountain," "Babylon Cowboy," "Kings of the Earth," and the Luciano duet "Build a Better World." This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.1998's Kalonji was issued in the U.S. under the title Freedom Cry, and featured the successful singles "Love Amongst My Brethren" and "Rain Shower." No less than three albums — Be I Strong, Good Ways, and Royal Son of Ethiopia — appeared in 1999, with Be I Strong achieving the highest profile among them. 2000 brought three more albums: the double-CD Liberate Yourself (which featured one disc of Sizzla material and another of his protégés), Words of Truth (which featured a bonus live disc), and Bobo Ashanti, a well-received, highly spiritual set with a stronger hip-hop flavor. Refusing to slow down, Sizzla issued four more albums in 2001 — Black History, Taking Over, Rastafari Teach I Everything, and Blaze Up the Chalwa — and often displayed a harder edge and a willingness to embrace digital production. That approach changed in 2002, when he concentrated on softer, mellower, more romantic material, which dominated that year's albums: Ghetto Revolution and Da Real Thing. Two more albums, Light of My World and Rise to the Occasion, appeared in 2003. Soul Deep was released in 2005, with both Ain't Gonna See Us Fall and Waterhouse Redemption landing a year later. By the end of 2006 Sizzla released the high-profile The Overstanding, an album with hip-hop impresario Damon Dash as executive producer. I-Space returned the singer to his Jamaican roots in mid-2007.
by Steve Huey
Emerging during the latter half of the '90s, the enormously prolific Sizzla was one of the leaders of the conscious dancehall movement. Along with Buju Banton and Capleton, he helped lead dancehall back to the musical and spiritual influence of roots reggae, favoring organic productions and heavily Rastafarian subject matter. A member of the militant Bobo Ashanti sect, he sometimes courted controversy with his strict adherence to their views, particularly his aggressive condemnations of homosexuals and white Western oppressors. Yet overall, his music was generally positive, advocating faith, compassion for poor black youth, and respect for women. He remained something of an enigma to the public at large, rarely granting interviews and keeping his concert appearances to a minimum. Nonetheless, he still ranked as arguably the most popular conscious reggae artist of his time, thanks to a normally high standard of quality control — all the more impressive given the frequency with which he recorded. A versatile singjay-style vocalist with a gruff, gravelly tone, he was capable of both rapid-fire chatting and powerful, melodic singing, and his best backing riddims were among the strongest in contemporary dancehall.Sizzla was born Miguel Collins on April 17, 1976, and was raised in the August Town area of Kingston by devout Rastafarian parents. After honing his vocal skills, he landed a gig with the Caveman Hi-Fi sound system, where he first made a name for himself as a performer. He cut his first single for the small Zagalou label in 1995, and soon moved on to Bobby "Digital" Dixon's Digital B imprint. However, he didn't manage a breakout success until saxophonist Dean Fraser recommended him to producer Philip "Fatis" Burrell. Sizzla released a series of singles on Burrell's Xterminator label, including "Judgement Morning," "Life's Road," "Blaspheme," "We Uh Fear," "I'm Not Sure," and the Shadowman duet "The Gun." His first LP, Burning Up, appeared on Xterminator later in 1995, and he toured extensively alongside Luciano and Mikey General. Unlike kindred spirits Capleton and Buju Banton, Sizzla's early material was culturally oriented right from the start; he was able to build an audience without any of the lyrical slackness that helped establish the other two.Creatively speaking, Sizzla really came into his own with the release of his second album, the Burrell-produced Praise Ye Jah, in 1997. Widely considered one of the top conscious dancehall albums of its time, Praise Ye Jah was quickly trumped by the release of the Dixon-produced Black Woman & Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including "Like Mountain," "Babylon Cowboy," "Kings of the Earth," and the Luciano duet "Build a Better World." This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.1998's Kalonji was issued in the U.S. under the title Freedom Cry, and featured the successful singles "Love Amongst My Brethren" and "Rain Shower." No less than three albums — Be I Strong, Good Ways, and Royal Son of Ethiopia — appeared in 1999, with Be I Strong achieving the highest profile among them. 2000 brought three more albums: the double-CD Liberate Yourself (which featured one disc of Sizzla material and another of his protégés), Words of Truth (which featured a bonus live disc), and Bobo Ashanti, a well-received, highly spiritual set with a stronger hip-hop flavor. Refusing to slow down, Sizzla issued four more albums in 2001 — Black History, Taking Over, Rastafari Teach I Everything, and Blaze Up the Chalwa — and often displayed a harder edge and a willingness to embrace digital production. That approach changed in 2002, when he concentrated on softer, mellower, more romantic material, which dominated that year's albums: Ghetto Revolution and Da Real Thing. Two more albums, Light of My World and Rise to the Occasion, appeared in 2003. Soul Deep was released in 2005, with both Ain't Gonna See Us Fall and Waterhouse Redemption landing a year later. By the end of 2006 Sizzla released the high-profile The Overstanding, an album with hip-hop impresario Damon Dash as executive producer. I-Space returned the singer to his Jamaican roots in mid-2007.
READING IS FUNDAMENTAL HERE ARE SOME HEAVY BOOKS TO CHECK OUT
- CIVILIZATION OR BARBARISM BY DIOP
- THE B ROWDER FILES BY ANTHONY BROWDER
- THE MIS-EDUCATION OF THE NEGRO BY CHANCELLOR WILLIAMS